New York Story #2: Sit and Listen

THIS IS ONE OF 20 RANDOM LITTLE STORIES I’M POSTING IN ADVANCE OF MY 20-YEAR ANNIVERSARY IN NEW YORK CITY, WHICH WILL HIT IN THE FALL OF 2013. CLICK HERE FOR MORE BACKGROUND, AND FEEL FREE TO SHARE YOUR OWN STORIES IN THE COMMENTS – RANDOMER THE BETTER!

*

The dusty black drapes were there to block the light spill from the windows, but also to hide the unpainted, patchy walls and random stacks of furniture. Surf Reality was one of a constellation of tiny theaters on the Lower East Side in the 90s, and my favorite of them all. It was comfortable and the owners were shockingly friendly. More importantly though, every Sunday Surf Reality hosted Faceboyz Open Mic: a perfectly random lineup of live acts that was picked out of a hat two minutes before curtain. I only went a few times, but I saw standups, poets, musicians, schizophrenic monologists, and – once – a middle-aged guy who told us about a failed romance and then improvised a dance to Bill Withers’ Ain’t No Sunshine. It was the first time I heard the song, and his dance was beautiful.

Faceboyz Open Mic wasn’t a ‘scene’. The house was reliably packed every week but there was never a line to get in.  Each act got 8 minutes on stage, and the performances were sincere, sometimes painfully earnest or just painful. The whole point – the joy – was not knowing what to expect. No one was looking to get famous; there was little chance of that anyway. People came to listen, to watch, and the watchword was respect. Faceboy was a generous host, with something positive to say about every act.

This is not a “New York ain’t what it used to be” story. I know there are still pockets of the city where people shed cynicism and artifice in favor of connection and generosity. But Faceboyz Open Mic was undoubtedly a product of its time – I don’t think it would survive today.  A forum with so few rules would never attract consistent enough talent to build a following; Faceboy wasn’t interested in cultivating consistency, and he would probably reject the standard definition of ‘talent’ anyway.  The open mic existed because performance space on the Lower East Side was (relatively) inexpensive, and because the community it gave rise to welcomed a full spectrum of creative expression to the stage. It was a safe place to be raw and honest and unexpected – that was its brilliance. Faceboyz Open Mic ran for an unbelievable 13 years, from 1994 until 2007. Though it’s probably better for a show like that to close rather than risk irrelevance or death by overexposure, I miss it, and I’ve been looking for its equal ever since.

New York Story #1: Doorways

this is one of 20 random little stories I’m posting in advance of my 20-year anniversary in new york city, which will hit in the fall of 2013. Click here for more background, and feel free to share your own stories in the comments – randomer the better!

*

At age 26, working for an HVAC company was far from the worst temp job I ever had, and after a few months there I grew dangerously comfortable. The office was full of what you might call “characters”, from the two owners – brothers – who were prone to yelling adorable things like “I’m gonna tear you a new ASSHOLE!”, to the handsome engineers who loitered around the reception desk and campaigned for me to be hired as a permanent employee. Yet despite the fact that it was a consistent gig and an entertaining one, I had no plans to stay. Showing up every morning by 8am was beginning to exhaust me, especially since I spent my free time rehearsing elaborate slapstick comedy shows, drinking too much, and commuting back and forth from Astoria.

It hadn’t been a particularly eventful day, but few were: the job consisted of answering phones, typing up – on a typewriter – work orders, negotiating an outdated DOS computer program, and deflecting the shockingly persistent visits from door-to-door salesmen. At times the job was delightfully old school, but mostly it was just dull and repetitive.

Once day around mid-afternoon, arguably the dullest part of the day when morning seemed like a foggy dream and 5pm a distant tease, a woman’s voice broke the silence in the hallway outside our office. I was used to the owners yelling, but this was very different. She sounded hysterical, unhinged, desperate. Like something out of a movie she was screaming, “Help! HEEEELP! Somebody please help!” I had never heard anyone yell those words; it seemed theatrical, impossible that they were ringing against the dingy walls in such a mundane context.

Those of us within earshot looked up from our desks, then at each other. But at first none of us moved. We were all afraid to open the door and see what was in the hallway. After a moment it seemed ridiculous that no one had risen from their chair; the woman was still screaming. My supervisor and I and I moved towards the door. I let her open it, on the premise that she was my superior and, well…more of an adult. Maybe this sort of thing happened all the time.

We peered out into the hallway and at first didn’t see anything. The door to the next office – a textile manufacturer – was open and we could hear a voice inside, still wailing.  I took a few steps into the hallway and called out a tentative response. The woman emerged from the office; she was of middle-age, with long frosted hair and fussy, layered clothing. She was sweating. Upon seeing us she shouted that there was a man having a heart attack in her office – her stream of words still sounded like dialogue from a movie. She kept urging us to do something. She asked if either of us knew CPR.

I did. I had learned CPR as part of my previous job teaching performing arts in an after-school program, which also included reading books and teaching crafts to under-threes in a playground. We were required to learn CPR but none of us imagined we would need to use it. Or we did imagine it, but the reality of actually resuscitating a child was too frightening to contemplate, so we reassured ourselves we would never have to. Once I brief stint as a teacher was over I thought I was safe.

I hesitated a long moment in the hallway, long enough that it seemed wrong and selfish not to speak up, so I did. My voice sounded unsure in the dense silence that suddenly enveloped us. But to her it must have sounded confident because she ushered me into the office. I urged my feet to move, saying to myself that this woman needed me; I had to try and help. All the while, a warning from our CPR instructor played on a loop in my head: that if you don’t know exactly what you’re doing you could hurt the person you’re working on, kill them even. In the year or so since my training I had forgotten nearly everything. I couldn’t remember the number of compressions you were supposed to do in order to keep air moving in and out of the lungs, or the correct hand positions; I only knew that both were precise, and deviation from the prescribed method was worse than doing nothing at all.

But I had already said I knew CPR. I had given her hope. I had stepped forward and now there was no stepping back.

I entered the room. The air was close, warm, likely due to the rolls of carpeting and fabric that lined the walls. The floor was also thickly carpeted and in the center was a man, slight and blond, younger than the woman who called us in, lying unconscious with his head propped awkwardly on a tasseled pillow. I hesitated again; I hadn’t expected him to be unconscious. But it seemed ridiculous, cruel, to just stand there so I went to him.

The only thing I could remember from my CPR training was “A.B.C.”: Airway, Breathing, Circulation[1]. You are supposed to check a person’s vital signs in that order. I knelt, and took the man’s head onto my lap. He didn’t open his eyes, and it occurred to me that I could be holding a dead body. I took the back of his neck into my right hand and, as gently as I could, raised his head so that his airway was straight instead of crumpled forward. I eased his jaw open with my left hand and looked inside his mouth. There was nothing blocking his airway. Honestly I hadn’t expected there to be. I was looking purely to ensure that I was checking his vitals in the correct order, to buy time. I was more afraid of making a mistake than of letting this man die.

The next step was to check his breathing, but I could already tell he wasn’t. I moved my left hand from his jaw to feel his neck for a pulse. Nothing. I had no idea what to do next.

I returned to the task of keeping his airway straight by slightly adjusting the position of my right hand behind his head, and suddenly something happened. The man’s mouth dropped open and he gasped, inhaled with a deep shudder that I could feel against my knees. It startled me, and a jolt of fear ignited my whole body. I adjusted his head again, and again the gasp came. I had no idea what was happening or what to do – should I begin chest compressions? Give him mouth-to-mouth? I was paralyzed by the idea that I held this man’s life literally in my hands.

I looked up at the doorway where my supervisor was standing, just staring at us. The woman who had called us in was leaning against the wall in a corner of the room. She was whimpering, or praying. Even from my vantage point I could see her hands were shaking. She had seen the man inhale and was waiting to see what I would do.

Mercifully I didn’t have to make a decision, because at that moment two paramedics showed up. (It hadn’t occurred to me to ask whether they had been called, and this was before I had a cell phone.) I felt strange and guilty sitting there with the man’s head on my lap, so I began a clumsy explanation of what had happened, of what I had tried to do. They sidled through the doorway so casually that for a second I thought perhaps the situation wasn’t as bad as it seemed. They were professionals. They would fix it.

I stood up slowly, placing the man’s head back on the pillow, and walked out of the room, wanting to say something reassuring to the woman whose name I didn’t know but who had witnessed one of the most frightening moments of my life. For her, the moment wasn’t over, and her eyes never left the man on the floor. He was now surrounded by the paramedics, who were still exhibiting what I hoped was professional cool and not indifference.

My supervisor and I returned to our desks. She didn’t seem to want to discuss what had just happened. We didn’t even exchange the head shakes or long exhalations of breath that might have been expected given the circumstances. The building walls had seemed paper-thin to the woman’s screams but I didn’t hear another peep from the hallway; only the ‘ding’ of the elevator as the man was taken down to the ambulance. I was quiet for the remainder of the day and so was our office. At least that’s how I remember it.

The next day I walked into the building even more reluctantly than usual. I was afraid to encounter the woman from next door in the hallway, afraid of not knowing what to say, afraid of her answer if I asked how the man was – the man I had vainly tried to help.  But I wanted to know.

As it turned out, despite the polite silence that existed between all the tenants of our floor, the almost stubborn reluctance to become involved in each others’ business, there was news. The man had died. The woman was his wife. The door to the textile company’s office was closed, and there was silence behind it. Now there were plenty of head shakes, exhalations, but I couldn’t bring myself to join in. I could still feel the back of the man’s neck cradled in my hand, the fineness of his hair, and the rattle of those breaths against my legs. I wondered if they had been his last.

My temp job at the HVAC company continued for another few months. I never saw the woman from the textile company again. The twin doors to our respective offices remained closed. I think about that day and try to conjure a precise picture of the woman in my head. It gets progressively blurrier with time. I wonder if she remembers anything about me, the stranger kneeling in her office, unwittingly sharing the moment when her husband died.



[1] The recommended order has since been changed to C.A.B.: yet another reason why you should not take CPR advice from me!

Fast Forward Montage to Music

Ok let’s blow the dust off this thing, otherwise someone’s gonna write “WASH ME” with their finger on my homepage.

Recently:

  1. Had a great experience with the No, YOU Tell It! workshop. Got some insightful feedback from my fellow writers, heard my story read aloud ass-kickingly well, and got to read another person’s fabulous story in front of an audience. More fun than a bouncy castle full of nitrous. Listen here to my story, read by Fred Backus, and here to Fred’s story, read by me.
  2. New year! Feels good, like I’m Peter Gabriel post-Genesis, like 2012 was the last crappy year in a band I outgrew and 2013 is the year I wear robot makeup and compose an epic anthem of independence that will resonate for generations. Or maybe just write some haikus.
  3. Realized I’m partial to funny men who are partial to cats. There’s a McSweeney’s post in there somewhere. To the typewriter!!

Nora

Nora Ephron’s death made me unexpectedly sad. Not because I expected to feel some other way when she died – it wasn’t something I thought about. Though I had some inkling she was ill, I didn’t know how ill and honestly I felt ambivalent about her work. For the most part I associate her with rom-coms – the girly, ingratiating kind that I’m not particularly fond of. But upon reading several obits, I reconsidered. Nora Ephron was much more than a “women’s author”; she was capable of complex, deeply personal work that presented a female point of view on film and on the page without apology. She was among a select group of women who could write, direct, or produce a film with A-list actors that was backed by a major studio. In that respect Nora Ephron was a household name; she not only paved the way for an entire generation of female humorists, she also ushered in the trend of chatty, observational comedy that popularized Seinfeld and Will & Grace, which in turn yielded huge influence over American popular culture.

But in the scope of my own life, her most important contribution was When Harry Met Sally…, a movie I fell in love with so hard as a teenager that I wanted to be in it. I watched it over and over with my best friend, we quoted it endlessly in every context, and on any given day I could identify with Harry or Sally or Jess or even Mr. Zero. The characters’ experience served as a backdrop to understanding relationships, and the plot was my blueprint for what I thought being an adult would be like. I wanted to have a funny, cute, close male friend like Harry who appreciated my quirks and shared my vocabulary, and who maaaaaybe would develop into something more as the years rolled by. I wanted to have a long-term marriage – or at least a successful living-in-sin arrangement – with a guy like the ones in the couples interviews peppered throughout WHMS, who finished my sentences and thought I was just as beautiful 50 years in as the day we met. And despite the “Can men and women really be friends?” debate that provides a key plot thread, it was one of the first films I ever saw that presented male-female relationships as an even playing field, one in which men could be needy and emotional and women could be witty and independent.

So in spite of my eye-rolling dismissal of most of the “women’s entertainment” that emerged from Nora’s influence, for me her legacy will always include some of the most treasured moments I ever spent in a cinema – moments in which I inevitably wished that life would imitate art.

Is Auto-reply Rage a Thing?

I apologize for this smug automatic reply to your email.

To control spam, I’ve taken the misguided step of only allowing incoming messages from senders I have approved beforehand.

If you would like to be added to my list of approved senders, please fill out the short request form (which I haven’t bothered to hyperlink – keep scrolling! The link is below that animated gif in my email signature). Once I deign to approve you, I will receive your original message in my inbox, along with the average of two other emails I receive per day – I know, right?? You’re wondering how I keep up with it all!

I apologize for this one-time inconvenience. (Well ok I’m not really sorry but I promise this process is much more convenient than simply deleting spam from my inbox. For me anyway.) And no, I haven’t given a thought to all the important messages I might miss because I’m too lazy to figure out how to use spam filters. Alienating my friends and holding them responsible for my failings just seems easier, you know? Thanks for understanding.

Click the link below to fill out the request:

https://webmail.pas.earthlink.net/waystoconvinceyourfriendsyourealazyignorantasshole

Props to props!

Clothes may may the man but PROPS make the woman…who removes her clothes, as evidenced by this awesome series of photos on the Retronaut blog, from Lili St. Cyr‘s obscenity trial in 1951. Visit the above link and scroll down for shots of her act, which clearly includes a narrative and — you guessed it — props! They make everything better.

Oh, here’s Lili again, proving the awesomeness of props (ok animal-as-prop but still):

Mother’s Day is different

For a long time I’ve wanted to write my mother a letter to tell her all the things she taught me, how her unyielding love gave me confidence and strength, how I adore when anyone says that we laugh alike or that I look like her, and that I miss her. A lot; as much as I did in the first days after she died.

It was going to be a thank you letter: this epic essay that would eloquently weave together all the things I’ve wanted to say to her during the last fifteen years. I don’t know who the letter was supposed to be for: her or me or other people so they could understand how wonderful and unique my mother was. I wanted to write it but I kept putting it off because I was afraid it wouldn’t be perfect.

As a rule, Mothers Day does not worry me. When I was little, my Dad, Mum, and I would celebrate it in a fairly ordinary way: with a card, maybe a small gift, and brunch. Dad might put in a call to his mum, who lived on the Welsh border with England, but that was about it. The first Mothers Day I spent without her was probably a bit sad, but honestly I don’t remember it being particularly significant. I figure the day is only as big a deal as I make it.

But this year, for whatever reason, feels different. The first sign was when I began deleting any email that arrived in my inbox announcing a Mothers Day sale– which apparently was every retailer I’m signed up with. And feelings crept in: a surreal mixture of ambivalence, sadness, pride, and anger. I didn’t want to feel all that stuff but I did, and still do: ambivalence because who cares it’s a made-up holiday anyway, right?, sadness because she’s not here for me to take out to brunch, pride because Mum was the best and I’ll take any opportunity to talk about her, and anger that we were cheated out of more time together. I know it’s irrational and probably not healthy but whenever I see other women enjoying a day out with their mothers, or when I come across a gift, a film, or a piece of music I think she’d like, I feel angry that I can’t share it with her.

So I guess it’s time to write the letter.

Dear Mum,

I miss you, but I think you know that. You also know all about my life because you’re still very present – not in a sitting-on-a-white-cloud-looking-down-on-me kind of way, but in a thousand intangible ways that only you and I would recognize.

Losing you as suddenly as I did is something I’m still coming to terms with. At first it meant having to figure out who I am in your absence – I don’t imagine anyone realizes how wrapped up their own identity is with their parents’ until a parent dies. More recently it has meant figuring out who you were – not only to me but to all the others in your life, even yourself.  I’ve tried to piece that together by asking questions of the relatives left behind, a process that increasingly means filling in the gaps myself as more of the people you were closest to pass away.

When I think of you, the first thing that comes to mind is how resilient and positive you were. So much of your early life involved struggle: supporting yourself and your family from the age of 16, being repeatedly dismissed by a rigid class system, exhibiting ambition before there was a feminist movement to validate you, and so many other challenges that you overcame without breaking your stride. I’m sure you’d rather I didn’t enumerate your life like some kind of cinematic triumph over adversity, but the fact is you cleared so many hurdles that I never had to worry about, and it made you the strong, no-nonsense person who I wish I could consult for advice so often it’s painful. But don’t worry; I still remember the lessons you taught me, either by example or by a pointed remark as you looked at me over the tops of your glasses:

You taught me that every job is worth doing well.

You taught me to enjoy the moment.

You taught me patience (still working on it.)

You taught me how to be practical, and to consider fixing something when it breaks rather than throwing it away. At the same time you knew when to say “it’s only money” – that treating yourself once in a while is important.

You taught me to sing along to records, especially Ella Fitzgerald.

You taught me that loyalty to the people you love is the most beautiful thing in the world.

I wish more people had gotten the chance to know you, but those who did know how lucky they are. And since you died I’ve been lucky to have a handful of other “mothers” step forward and play some version of that role in my life. They’ll never replace you, but they look out for me in ways you might have if you were here, and for that I’m extremely grateful.

I’m sorry that I gave you such a hard time as a teenager; that I took you for granted and came home from college thinking I knew more about life than you did. I’m sorry I didn’t listen more, that the epic conversations that arose spontaneously when I was home and stretched across topics from relationships to raising children to politics, didn’t happen more frequently. I’m sorry I don’t remember those conversations more clearly. As I moved through adult milestones like getting married and dealing with the deaths of friends I’m sure you had something wise and kind to say that would have helped. I’m sorry you didn’t get to meet Dave, but I feel sure you approve.

I’m glad that you had me later in life than my friends’ mothers and that you never let me forget that in your eyes I was precious and beautiful and invincible. Even though I did my share of whining for a sibling, I’m glad I’m the only one in the universe who called you Mum.  Everything that urges me to be loving, courageous, and moral comes from you. I hope you know that.

Love,
Alex

A Room for London

Holy cats, this is like all my wildest dreams rolled into one: a tiny, nookish home built inside a boat – but on land – or, rather ON TOP OF A BUILDING in London, ON THE SOUTH BANK!

Good thing I didn’t know about this on my recent trip. I would have maxed out my credit card buying single-night stays (plus the requisite disguises so whomever rents out the room thought it was a different guest every night.) One of the disguises would have to be Lou Reed (which, weirdly, I already own – don’t ask) since Laurie Anderson apparently played in the Room in March.